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A year later, he received a special award at the Festival Concurso International Flamenco de Jerez de la Frontera. Mastering the art of flamenco guitar by his 11th birthday, he made his public performance debut on Radio Algeciras in 1958. He trained with his father and brother from the age of five. What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places, trying to find new things I can bring into flamenco.'īorn in Algeciras, a small city in southernmost Spain's Cadiz province, de Lucia was bred to be a world-class musician. 'I have never lost the roots in my music,' de Lucia said during a late-'90s interview, 'because I would lose myself. His 1980 album, Interpreta a Manuel de Falla, paid homage to the classical composer and flamenco enthusiast, while his 1987 album, Siroco, marked a return to pure flamenco. Yet, de Lucia did not completely forsake traditional flamenco. His recordings with his sextet, which included his brothers Ramón and Pepe, include such groundbreaking masterpieces as La Fabulosa Guitarra de Paco de Lucia, Fantasia Flamenca, Fuente y Caudal, Almoraima, and Zyryab. His collaborations included ten albums with flamenco vocalist El Camaron de la Isla and work with American pianist Chick Corea and the Guitar Trio, featuring guitarists John McLaughlin, Larry Coryell, and Al DiMeola. The son of flamenco guitarist Antonio Sanchez and the brother of a flamenco guitarist, Ramón de Algeciras, and flamenco singer, Pepe de Lucia, Paco de Lucia extended the former accompaniment-only tradition of flamenco guitar to include deeply personal melodic statements and modern instrumentation. The role of the flamenco guitar evolved considerably through the playing of Paco de Lucia (born Francisco Sanchez Gomez).

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